Model Workers
William E. Jones
Experimental : 13' / Politics, Colonialism, Art & Artists

A collection of paper money bearing images of workers from Africa, the Americas, Asia, and Europe. The montage includes colonies and the independent countries they became, as well as former and present socialist states. Intricately engraved details are arranged in chronological order; full views of the banknotes are in reverse chronological order, ending at the beginning: Mexico, 1914.

 

© Courtesy of William E. Jones and David Kordansky Gallery

/ EXHIBITION

Lisboa
September 26 | 21h30 | Cinemateca Portuguesa - Sala M. Félix Ribeiro Buy Tickets
QL - Retrospective
https://www.davidkordanskygallery.com

/ Details

Year: 2014

Country: USA

Language: no dialogues

Subtitles: no subtitles

/ Direction

William E. Jones

USA


For over three decades, William E. Jones (Canton, Ohio, USA, 1962) has been producing films, videos, photographs, and books that re-examine existing cultural materials. He has explored the decline of America’s industrial Midwest, the representation of gay men in sources as diverse as Eastern European pornography and police surveillance footage, the psychedelic visual potential of Cold War military footage, and poetic connections between the randomized nature of the Internet and ancient philosophy. Jones has been the subject of many solo exhibitions and retrospectives at internationally renowned institutions. He lives and works in Los Angeles.

 

© Paris Tavitian for LIFO Magazine


Filmography

Selected

 

2015 – Psychic Driving (Experimental Short)
2013 – Actual T.V. Picture (Experimental Short)
2012 – Shoot Don’t Shoot (Experimental Short)
1962-2007 – Tearoom (Experimental Feature)
2006 – Film Montages (for Peter Roehr) (Experimental Short)

2006 – V.O. (Experimental Feature)

2004 – Is It Really so Strange? (Documentary)
1998 – The Fall of Communism as Seen in Gay Pornography (Short Documentary)

1997 – Finished (Experimental Documentary)
1991 – Massillon (Documentary)

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