Ferran has convinced everyone that he makes his money as a gaymer, but in reality, he makes sexual videos and video calls on Chatroulette. The young protagonist travels poetically with his own body, where he reveals his wounds and the abstract form of his madness. The piece has two audiences, the face-to-face that comes from curiosity about the play and the Chatroulette audience, who is there as a voyeur. It shows the generational gap between parents and children in technology and how young people use these resources, sometimes against ourselves, and also how we construct our identity on the internet. A technician, a director, an interpreter, its creator. To the rhythm of Daddy Yankee and Gustav Mahler, with the vision of Caravaggio and Velázquez, the naked conversation of Jefta van Dinther and always the gaze in Ulrich Seidl's films, especially In the Basement, La Carn is a gateway to a young man's intimacy, which puts a price on his own body.

* Lluís Garau (Sa Torre, Mallorca, 1997), graduated from the Barcelona Theater Institute. He has trained in contemporary dance, performance and interpretation between Mallorca and Barcelona. He has a successful tour behind him with his first work La Carn: Teatro del Barrio (Madrid), Can Felipa (Barcelona), International Dublin Gay Theater Festival, Sziget (Budapest), Teatre Mar i Terra (Mallorca), Ibiza Cine Festival, Seville Film Fest, Málaga Theater Festival and Festival Rosa Bogotá.

Creation and performance: Lluis Garau

Art Design: Pau Aulí

Dramaturgical Assistance: Ferran Dordel

Photography: Alberto Melià